There’s a reason the media rarely is portrayed in popular culture. Where the government, the military, the police and criminals can all be portrayed as proactive forces, the media is very reactive. As such, they can be portrayed as easily manipulable, lazy, elitist, pretentions or just plain bothersome to those who actually have good honest work to do. This leads to the media taking a lot of flack in popular culture but, interestingly, most negative portrayals of the media end up saying far more about the creators and editors than the reporters they skewer.
1. Battlestar Galactica – “Final Cut”
“Battlestar Galactica” was a great show with a mess of storytelling problems, namely some of its more fascist tendencies. The show never had much tolerance for the pacifistic, meddling media but nowhere is this clearer than in the second season’s “Final Cut.” There, the Galactica excepts a well known journalist to make a newscast about the men and women who keep the battleship running. Of course, the reporter, Diana, turns out to be a Cylon, solely interested in collecting intel about the surviving humans. Its barely a twist and its a cruel one if you want to consider it that.
J. Jonah Jameson doesn’t speak too much of anything but necessity. There was a desperate need for Peter Parker to have a villain that was able to hold a candle to the villains that Spider-Man routinely faced and the biased editor of The Daily Bugle served just that role. Jameson’s campaign against Spider-Man put Peter in a quandary and provided a solid enemy that was both untouchable and necessary.
3. NewsRadio – “The Real Deal”
NewsRadio had a lot too say about the vain, narcissistic, self-mythologizing and just plain mean men and women that made the news but it was always in service of humor. In one memorable episode, on-air columnist Bill McNeal, played by the late great Phil Hartman, has to nab a great interview to keep his show on the air. Naturally, his narcissism and inability to, y’know, talk to people, gets in the way of his interview with Jerry Seinfeld, so he gets creative in delivering his story.
4. Buffy the Vampire Slayer – “Earshot”
By season three, Joss Whedon had ironed most of the problems out of his supernatural teen soap opera but the flaws are apparent in “Earshot.” Delayed because of the Columbine Massacre, Buffy becomes aware of someone planning a killing spree at Sunnydale High. The episode’s great red herring is the slightly goth school newspaper editor, a guy who’s writen nothing but negative, extremely pessimistic about the people and institutions of the school. Even when its revealed that he’s not behind the plot, there’s still an bitter taste left in the mouth.
5. Deus Ex: Human Revolution
Adam Jensen’s been dealing with the very worst of global corporations and espionage by the time he heads to Montreal to find some answers. There, he’s attacked by mercenaries and left to try to find newscaster Eliza Cassan who’s been manipulating satellites to hide several people Jensen thought dead. In the world of “Deus Ex,” its not that the media is innately evil, more that they can be bought and sold by anyone with the credits or enough strength to take what they want.
6. Mr. Show with Bob and David – Scams and Flams
Bob Odenkirk and David Cross had done their fair share of parodies of the emptiness and shallow reporting that characterized the daily news. One of their best was the “Scams and Flams” sketch, focusing on a gullible local features reporter sent to investigate businesses that might be scams. He’s, however, bought off by a man running a wishing well/ice cream parlor. Mixing a parody of local news with one of gotcha journalism, its a dark and witty satire.
Jason Statham vehicle, “Blitz” has a lot of incoherent things to say about police brutality, serial killers and stardom but its main message is one focused on serial killers wanting the fame that accompanies their killings. Its a popular belief, one that many conservatives have bought into as a way to assign a motive to shooters and the film makes the media complicit in the killer’s crimes, feeding his actions.
8. Harry Potter and the Order of the Phoenix
J.K. Rowling’s consistent portrayal of the Daily Prophet as a near faceless antagonist is one of the most troublesome aspects of her series. Where she turns writers such as Rita Skeeter into reporters more interested in an entertaining piece than a truthful one, she focuses most of his ire on the paper to their view on Voldemort. By “Order of the Phoenix,” the Prophet has been reduced to a mouthpiece for the Ministry of Magic. The only possible explanation for her choice was laziness. With an inability to clearly show the government’s denial of the dark lord’s return, she blamed much of the propaganda on the Prophet, even reducing them to cartoonish villains willing to run a smear campaign.
9. That Mitchell and Webb Look – What do you reckon?
As newspapers and network news gasp against user created media and online news, they’ve attempted to integrate community feedback, often to insane levels. A fantastic sketch from across the pond, Robert Mitchell and David Webb set up a news team that wants to hear whatever the viewer “reckons” about nearly anything and they’ll read it on the air just because they feel like they have to. As the sketch escalates, their boredom makes everything funnier, showing the ridiculousness of losing the professional line of separation.
10. Parks and Recreation – “The Reporter”
In the underrated first season of “Parks,” Leslie’s enthusiastic attempts to do something with the pit is thrown up against a never ending line of red tape. In “The Reporter” she faces the media as well as problems within her own team as Mark tells a reporter after sex that the pit will never be fixed. The episode affixes plenty of blame on the reporter for her unscrupulous reporting techniques and the Parks’ departments mistrust of the newspaper continues well past the episode. I mean, they still really hate the library, but they’re not in love with The Pawnee Sun.
11. Dr. Who – “The Long Game”
The problem with “The Long Game” is that the targeting of the media doesn’t quite go far enough. After Rose and the Ninth Doctor jump far into the future, they come across a media outlet that’s broadcasting programming for Earth in an attempt to keep the people of the planet complacent. Its kind of a weak plot, with a monster that isn’t intimidating enough or make enough sense making it another not quite cooked relic of the Eccleston era.
12. 24 – “9:00 a.m. – 10:00 a.m.”
After the first season of FOX’s groundbreaking action series, viewers were left to deal with the international drama inherent in Palmer becoming president. The writers show their view of snooty, truth seeking reporters early when, after failing to bribe him, President Palmer imprisons correspondent Ron Wieland in a government facility. In the world of “24,” you either let the brave, strong, patriotic men do their work or you’re going to jail.