One thing the internet has done that is great is bringing fans of niche programming together. In years past, we’d all have to meet up at conventions, send letters or read specialty magazines for the information that is now available in seconds. The not so great thing this has led to is what I call “geek elitism.” As fans of science fiction, comics, videogames, anime and all sorts of nerdy content, we’ve now thought that we can band together in lording over anyone who can’t quote chapter and verse in nerdery.
Nowhere has this been more evident than in slut shaming and judging of women. Just because Joss Whedon put a whole bunch of powerful women in his shows, his acolytes view said content as intrinsically superior to any show that has, say, a sexual woman who appears in a clothing that flaunts her body. One of my favorite blogs, recently did an entire post based on the picture posted above and the phenomenon of geek culture celebrating itself which sums up the issue much better than I can but it got me thinking about the ways in which pop culture hasn’t always given us the greatest of role models, even in content that has been targeted at for lack of a better word, geeks. So, let’s do the exceedingly lazy list thing.
1. Seven of Nine – “Star Trek Voyager”
Voyager has a lot of problems. There’s no doubt about that. That being said, so many of those problems begin and end with Seven of Nine, a freed Borg that aids the crew in their many dealings with the Queen and her minions. The unfortunate thing about her wasn’t so much what the brought to the crew or the storytelling problems but more about he way she was viewed on screen. She was always in a skin tight jump suit, even after she wore a Starfleet uniform and was often shot to accentuate her body. Even worse, many characters on the ship seemed to value her more for her looks than anything else. I don’t blame Jeri Ryan or the character really, it’s more in how the writers portrayed her as little more than a sex object and not a particularly willing one at that.
2. Yeoman Rand – “Star Trek”
That being said, the original series had many more problems with women but none stand out as much or as significantly as the ship’s most prominent yeoman and Kirk’s implied love interest Rand. Rand was another case of being more of an object than character, often targeted by enemies interested in sexually assaulting her. When she was given lines, most of them were focused on how scared she was or how she needed protection. Blame it on the writers, blame it on the time period, whatever.
3. Molotov Cocktease – “The Venture Bros.”
Yes, Molotov is supposed to be an over the top parody of James Bond-esque female spies with a dash of Black Widow thrown in and the show goes to elaborate and hysterical lengths to make her more than a sex object. That being said, you maybe wouldn’t want to buy her action figure for your daughter.
4. Harley Quinn – “Batman: The Animated Series,” “Batman” and “Suicide Squad”
Like pretty much everyone, I adore Harley as a character. She’s gleefully evil, unbelievably focused on creating chaos and sowing discontent and is a great partner in crime with the Joker and Poison Ivy. That being said, she’s pretty much been defined by her relationship with the Joker, often to her own detriment. In the episode “Mad Love,” Quinn is routinely beaten and abused by her lover yet goes back like a kicked dog. Her inclusion in the New 52’s Suicide Squad seemed like it could be a neat place for her before the book’s release but her costume redesign wasn’t meant to showcase her character.
5-6. Silk Spectre I and Silk Spectre II – “Watchmen” and “Before Watchmen”
When Alan Moore gets up in the morning, cracks his knuckles, sits down in front of his typewriter as he eats breakfast, fires off a couple of quick letters to movie studios calling everyone a bastard and finally starts writing comics, the first thing on his mind is how he can write more rape and sexual assault into his stories. Look, I like Moore’s work but it is hard to find a female character he’s written that isn’t defined by sexual assault. Their motivations, their powers and even their strength is tied directly to the trauma they’ve suffered. In “Watchmen,” Silk Spectre is raped by The Comedian, causing her to become a paranoid and controlling mother to Silk Spectre II, who is further defined by the knowledge of her father and the evil that men do. Not helping matters, it looks like the trend is continuing in “Before Watchmen,” where the original Silk Spectre is still a wreck although her daughter is given great definition. We’ll have to wait and see if her character is defined better by mini-series end.
7. Kara Thrace – “Battlestar Galactica”
Its a shame to put Starbuck on this list. For the first two seasons of the show, she’s the epitome of a well written character. She’s personally strong, does what she wants, has a powerful moral compass and she’s an inspiration to the rest of the Galactica. That all turns around in the last two seasons of the show, where she becomes a messianic figure who used to have mommy and daddy issues. That is, only when she’s not drinking herself to death, fucking everyone she comes across for no real reason. The failing of Starbuck was simply a writer problem but its one of the most unfortunate ones of the show.
8. Wonder Woman – David E. Kelley’s “Wonder Woman”
When a Wonder Woman TV show was announced last year, I was legitimately pretty excited. Diana is my favorite character of the DC universe and I figured everything could have worked out. Then we found out it was a David E. Kelley who was turning one of the most powerful super heroines and an icon of womanhood into a corporate attorney by day while fighting crime and just looking for the perfect guy. It was such a hackneyed take on the character and the leaked script of the pilot didn’t make her into much of a character. Even after the rewrite, it still seemed like Kelley was more interested in making a superpowered “Ally McBeal” rather than writing a character that was worth of Wonder Woman’s legacy.
9. Starfire – “Teen Titans” and “Red Hood and the Outlaws”
Like Kara Thrace, having Starfire on the list is a shame. Pre-New 52, she was a sexually liberated very well developed character with motivations, love interests and a deep rich backstory that made her a fan favorite. All of that changed when she teamed up with Jason Todd in the New 52’s “Red Hood and the Outlaws.” Suddenly, she was requisitioning everyone she came across for sex and not in a way that made her a character wanting intimacy. She was strictly an object of wish fulfillment. This rightfully caused a stir amongst critics, many putting their focus on schlocky writer Scott Lobdell. Some were gentle, others were really not so much. Comics Alliance focused on how the character was little more than a surrogate girlfriend for horny nerds, Andy Hunsaker said that the character had been reduced to little more than a “highly advanced Real Doll” and Matthew Peterson said the character’s sexual appetites reduced her to a walking punch-line, hurting a book that had such a small cast. The only thing I can say is that there’s a difference between a well written character who is interested in sex and a poorly written one who is little more than a willing wish fulfillment vessel.